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Painting part 3. How do you make a print? – and the dread of overworking.

So, although Covid-19 continues to be a concern, the overall lockdown has eased and some of the drivers that were there for doing all the craft (namely, keeping my sanity and entertaining the kids when we’re all in the house together 24/7) are not quite as intense.

Couple that with the fact that my son has become obsessed with going out to hunt Pokémon on Pokémon Go, and we seem to have spent more time outdoors chasing Pikachu through the park and less arts/craft. I definitely don’t want to stop consciously doing creative things with the kids but it’s been good to be outside more. That said, I’ve been continuing to draw and paint once they’re in bed, and it remains satisfying that I’m getting slowly better.

This week, I started working on this painting of an orangutan. Random, I know, but its world orangutan day on the 19th August (bet you didn’t know that) and in the back of my mind I thought maybe I could ask for a donation to charity from anyone who might want it when its finished.

It’s not yet finished but you get the idea…

I contacted the Sumatran Orangutan Society https://www.orangutans-sos.org/ to see whether they have a forum for selling paintings etc. They can try and sell things for you, but it’s easier if you do it yourself and then donate the profits so I will try and do that as even if it only gets £20 then that’s still something good for charity!

However, it also got me wondering about how prints are made from paintings, what’s the cost involved etc etc. I’m going to look into this and write about it for whoever’s interested in knowing about that sort of thing. As with most things I suspect that its only complicated until you know what to do.

Something else that’s been on my mind when practising painting, is when to stop with something you’re working on. I’ve never studied art or have any awareness of different styles etc, but it strikes me that as you do start to know your own preferences and skills, you have to make the decision on when is enough, enough. I know for example, that I’m not aiming for photo-type realism, so what am I aiming for?

As an example, take the orangutan painting. You can see that picture 2 is better than picture 1, but would a picture 3 be better than picture 2?

Picture 2 is where I’ve got to with it at the moment. It was never intended to be the final thing, but when I got up this morning I was actually pretty happy with it. Only thing is that I just bish, bash, boshed (technical term) the fur as I know I find it difficult (see https://www.thecraftydaddy.co.uk/my-art-work/painting-fur/) and the fingers are only suggested, both of which I was aiming to go back and work on. I’m not now sure whether to do that or not though, so I thought to myself ‘am I starting to find my style?’, or ‘am I just scared of messing it up?’ (or can I just not do the detail?).

The answer I came to is that I need to keep going with it, and prove to myself how much is too much. I’m hoping that I’ll naturally find a point to stop where it looks its best, but I’m guessing I might go past that before I realise it!

I’ll put the finished thing on here so you can judge for yourselves. in the meantime don’t forget about world orangutan day, and if you’d like to make a donation to SOS, I’m sure they’d appreciate it.

For other painting blogs see:

Playroom – https://www.thecraftydaddy.co.uk/my-art-work/wall-art-for-the-playroom-a-tribute-to-roald-dahl-and-quentin-blake/

Painting part 1 – https://www.thecraftydaddy.co.uk/my-art-work/painting-part-one/

Painting part 2 – https://www.thecraftydaddy.co.uk/my-art-work/painting-fur/)